The whole story could’ve been written in the stars…
Astrology tells us a “Saturn Return” happens when the planet Saturn revolves back to the same position it held upon our birth. It typically takes almost thirty years. However, in the case of Delta Spirit, it took a little less than fifteen. The enduring California rock quintet—Matthew Logan Vasquez [vocals], Kelly Winrich [multi-instrumentalist, vocals], Will McLaren [guitar], Jon Jameson [bass], and Brandon Young [drums]—realign on their fifth full-length and first album since 2014, What Is There. As much as it reflects their journey thus far, it also ushers them into new territory as both musicians and, most importantly, friends. In the end, Delta Spirit not only return, but move forward together on What Is There.
The 3 LP edition contains the original 1994 Wildflowers album (remastered) with 15 tracks on two LPs. LP 3 contains All The Rest, the 10 songs from the Wildflowers sessions that were left off the album, 5 of which are previously unreleased.
2020 release. Chuck Prophet, San Francisco's savior-songwriter, has returned with The Land That Time Forgot. Varying from the rich heartland rock of songs like 'Best Shirt On' to the building drum machine of 'Marathon' and all the way back to stripped back words and guitar of 'Nixonland'; and 'Get Off the Stage'Prophet's work defies classification. Chuck Prophet is a rock and roll star in a country that has forgotten that it needs rock and roll stars. America turns it's popular musicians into celebrities (as if that's what we need more of). Meanwhile, the true grit, write it like you live it and live it 'til it kills you musical artist exists in obscurity, kicking ass and taking names in small clubs every night while sweating blood over making records. Thankfully, we live in the same timeline as Chuck Prophet.
MP3 Album: $9.99 Download
With his sophomore album Shape & Destroy, Nashville-based artist Ruston Kelly now documents his experience in maintaining sobriety, and finally facing the demons that led him to drug abuse in the first place. But while Kelly recounts that journey with an unvarnished honesty, his grace and conviction as an artist ultimately turn Shape & Destroy into a work of unlikely transcendence. Indie LP includes an exclusive 8x10 glossy photo Insert; die-cut outer jacket, mirror board with gold print inner sleeve.
52 page hardbound foil stamped coffee table book with 2 LPs, handwritten lyrics and over 20 previously unseen photographs.
When Elliott Smith's self-titled second album came out in 1995, it was ignored by the press but championed by artists from the Beastie Boys to Fugazi. To commemorate the twenty-fifth anniversary of Elliott Smith, the Kill Rock Stars label is releasing a special deluxe package, which includes a new remastering of the original record; a coffee table book of previously unseen photographs by JJ Gonson with handwritten lyrics, reminiscences from Smith's friends and colleagues, and previously unseen photographs; and a bonus disc documenting the earliest known recording of Smith performing as a solo act. The set is a revelatory look at an under-appreciated work by an artist whose influence continues to expand seventeen years after his death.
Sometimes it feels like you hear a Bright Eyes song with your whole body. From Conor Oberst’s early recordings in an Omaha basement in 1995 all the way up to 2020, Bright Eyes’ music tries to unravel the impossible tangles of dissent: personal and political, external and internal. It’s a study of the beauty in unsteadiness in all its forms – in a voice, beliefs, love, identity, and what fills up the spaces in-between. And in so many ways, it’s just about searching for a way through.
The year 2020 is full of significant anniversaries for Bright Eyes. Fevers and Mirrors was released 20 years ago this May, while Digital Ash in a Digital Urn and I’m Wide Awake It’s Morning both turned 15 in January. The latter, a singer-songwriter tour-de-force released amidst the Bush presidency and Iraq war, wades through incisive anti-war rhetoric and micro, intimate calamities. On the title track and throughout the record, Oberst sings about body counts in the newspaper, televised wars, the bottomless pit of American greed, struggling to understand the world alongside one’s own turmoil. In its own way, I’m Wide Awake It’s Morning carved out its place in the canon of great anti-war albums by being both present and prophetic, its urgency enduring 15 years later.
In 2011 the release of The People’s Key, Bright Eyes’ ninth and most recent album, ushered in an unofficial hiatus for the beloved project. In the time since, the work of the band’s core members – Oberst, multi-instrumentalist Mike Mogis, and multi-instrumentalist Nathaniel Walcott – has remained omnipresent, through both the members’ original work and collaboration.
In recent years, Mogis produced records for beloved folk acts First Aid Kit and Joseph, among others, as well as mixed the fine-spun ennui of Phoebe Bridgers’ breakthrough 2017 debut, Stranger in the Alps. Mogis and bandmate Walcott also teamed up to write the original scores for The Fault in Our Stars, Stuck in Love, and Lovely Still, and Walcott worked as a solo composer scoring number of independent feature-length films. Walcott spent extensive time on collaboration; in addition to his arrangement work for Mavis Staples, First Aid Kit, and M. Ward, he contributed studio work to artists ranging from U2 to jazz guitarist Jeff Parker, and also toured heavily as a member of the Red Hot Chili Peppers.
Oberst, who’s nearly 30 years into a prolific musical career, spent the last decade in similarly productive fashion. Across three years he released a string of solo albums: Salutations (2017), Ruminations (2016), and Upside Down Mountain (2014), as well as guested on records by First Aid Kit, Phoebe Bridgers, and Alt-J. His punk band, Desaparecidos, emerged from a 13-year hiatus in 2015 with the thunderous sophomore LP, Payola, a white-knuckled disarray of hollered political fury. And at the top of 2019, Oberst and Bridgers debuted their new band, Better Oblivion Community Center, digitally dropping the critically-lauded eponymous debut LP alongside a surprise performance on The Late Show with Stephen Colbert.
The heart at Bright Eyes’ songwriting still looms culturally, in films and TV shows and through re-imaginings by other artists. Mac Miller covered both “Lua” and “First Day of My Life”; Lorde’s version of the penultimate The People’s Key track, the funereal-waltz “Ladder Song,” was a focal point of The Hunger Games’ soundtrack; The Killers covered “Four Winds” for their Spaceman EP; and Lil Peep’s “Worlds Away” samples “Something Vague” while Young Thug’s “Me Or Us” samples “First Day of My Life.”
Bright Eyes’ expansive catalog has traversed genre, sound, and countless players; unpolished demos or fuzzy folk, electrified rock or country twang. The sharp songwriting and musicianship is all anchored in Bright Eyes’ singular ability to flip deep intimacy into something universal. For so many, for so long, listening to Bright Eyes has been like hearing yourself in someone else’s song – a moment of understanding or illumination, knowing you’re on the same team looking for a way to move through of all this shit.
And while 2020 is a year of milestones for the band, it’s also the year Bright Eyes returns, newly signed to indie label Dead Oceans. Amidst the current overwhelming uncertainty and upheaval of global and personal worlds, Oberst, Mogis, and Walcott reunited under the moniker as both an escape from, and a confrontation of, trying times. Getting the band back together felt right, and necessary, and the friendship at the core of the band has been a longtime pillar of Bright Eyes’ output. For Bright Eyes, this long-awaited re-emergence feels like coming home.
Limited to 5,000 copies, 3750 for the US (mirror-board LP jacket, 180 gram orange-green spash vinyl, zoetrope label)
The Waterfall II completes The Waterfall, My Morning Jacket’s acclaimed 2015 record. Originally intended to be a sprawling triple album, the band were advised to hold back and keep some of it on the shelf. Until now! Frontman Jim James says, "this is simply the second half of a long snapshot of life for me as a writer in the years leading up to 2014, and the life of us as a band as we lived and worked in the epic country in and around Stinson Beach, CA during these recording sessions."
In March 2020, Nashville-based artist Molly Tuttle experienced the devastating tornado that tore through much of East Nashville, followed by the global pandemic. Tuttle, who grew up in California and has toured as a solo artist for years, suddenly found herself - along with the rest of the musician community - sheltering at home. She found solace in revisiting favorite songs in an attempt to "remind myself why I love music." She conceptualized an idea for a record with renowned LA producer Tony Berg (Phoebe Bridgers, Andrew Bird) to be recorded over 2,000 miles apart. Tuttle taught herself how to use Pro Tools, recorded and engineered all of her parts alone at home before sending them to Berg in Los Angeles, who enlisted legendary session musicians to add instrumentation in their respective home studios. "This is how the astronauts do it!" she recalls Berg saying as they sent the files back and forth. The result is 10 tracks that cross the musical spectrum and the decades, from FKA Twigs to Cat Stevens, from Rancid to Karen Dalton, that will be released as... but i'd rather be with you on Compass Records.
The Third Gleam marks a return to the Avett Brothers’ roots, both sonically and with Seth & Scott playing as a trio with longtime bassist Bob Crawford. The eight tracks capture their personal experiences and perspectives on undeniably timely, universal themes: isolation, gun violence, incarceration, historical prejudice, mortality, resilience, love, hope, redemption. 12 years in the making, this is the third installment of the brothers’ ongoing Gleam series.
Vinyl LP pressing.2020 release. The D'Addario brothers return with their third Lemon Twigs album, Songs For The General Public. The prodigiously-talented duo's showstopping melodies mined from every era of rock quickly earned fans in Elton John, Questlove, and Jack Antonoff. Songs For The General Public was written, recorded and produced by the D'Addarios at their Long Island home studio, Sonora Studios in Los Angeles and New York City's Electric Lady.
12" Vinyl Standard jacket with printed inner sleeve
Barely a year after the release of their acclaimed debut album 'Dogrel' (which charted Top 10 in the UK, earned a Mercury Prize nomination, Fallon performance, and #1 Album of the Year positions for BBC 6Music and Rough Trade), Fontaines DC have returned with an intensely confident, patient, and complex sophomore album. 'A Hero's Death' arrives battered and bruised, albeit beautiful - a heady and philosophical take on the modern world, and its great uncertainty.
[FOR EXCLUSIVE VERSION] Colter Wall - Western Swing & Waltzes and Other Punch Songs [Indie Exclusive Limited Edition Natural LP]
[SOLD OUT ONLINE -CHECK WITH STORE]
From the prairies of Saskatchewan, Canada and recently seen on Austin City Limits, Colter Wall sings songs of the great West. Heralded by icon Steve Earle and touted as a favorite of celebrity Jason Mamoa, the music of Colter Wall has graced the silver screen many times, in films such as Peanut Butter Falcon, Hell or High Water, Three Billboards Outside Ebbing, MO and Deadwood. Characterized by his distinct, gritty baritone, Colter Wall’s career has been marked with critical praise from his breakout EP, Imaginary Appalachia to his debut and sophomore records produced by Dave Cobb. Whether headlining music festivals in Norway, or playing legendary stages like Newport Folk Festival, Colter Wall continues to garner attention from the world. On his third full-length release, fans will hear Colter Wall in the producer’s chair.
Everything changed for Auckland, New Zealand's The Beths when they released their debut album, Future Me Hates Me, in 2018. They quit their jobs, said goodbye to their hometown, and devoted themselves entirely to performing across the globe. They found themselves playing to crowds of devoted fans and opening for well-known acts like Death Cab for Cutie. Songwriter/lead vocalist Elizabeth Stokes worked on The Beths' second LP, Jump Rope Gazers, in between these intense periods of touring. Like their earlier music, the album tackles themes of anxiety and self-doubt with effervescent power pop choruses and rousing backup vocals, zeroing in on the communality and catharsis that can come from sharing stressful situations with some of your best friends. Their most emotive and heartfelt work to date, Jump Rope Gazers stares down all the hard parts of living in communion with other people, even at a distance, while celebrating the ferocious joy that makes it all worth it. Pressed on Tangerine color vinyl.
Taylor Swift’s surprise album, folklore, on CD August 7th! "Most of the things I had planned this summer didn’t end up happening, but there is something I hadn’t planned on that DID happen. And that thing is my 8th studio album, folklore," she said, letting fans know she poured all her whims, dreams, fears, musings into the 17 tracks. "I wrote and recorded this music in isolation but got to collaborate with some musical heroes of mine; Aaron Dessner, Bon Iver, William Bowery and Jack Antonoff.”
Blackbirds features songs primarily popularized by women who were the “bridge she came across on.” The album finds LaVette in top form with powerful renditions of songs that touched her personally. From Dinah Washington’s “Drinking Again,” Nina Simone’s “I Hold No Grudge” and more, they are all delivered in LaVette’s rich & raspy tone. Blackbirds honors LaVette’s heritage as an R&B singer and the women who came before her. LaVette A&R’d and sequenced the record herself – her first true curation.
Following his triumphant performances at the 2022 Coachella Music and Arts Festival, Danny Elfman delivers Bigger.Messier., an ambitious double-album collection of remixed and reimagined tracks from his highly acclaimed Big Mess album. This sprawling, 23 track collection (available on 2 LP or 2 CD) features tracks reworked by some of the most groundbreaking and subversive artists around today. Bigger.Messier. views the Grammy and Emmy Award-winning composers songs through the lens of luminaries from diverse sides of the music business, including Trent Reznor, Iggy Pop, Squarepusher, and Ghostemane. Elfman once again has achieved a kind of artistic liberation on the record that had been eluding him for decades, and connecting him to brand new audience. Born and raised in southern California, Elfman began his career as part of a surrealist, avant-garde musical theater troupe known as The Mystic Knights of Oingo Boingo. The group would eventually morph into the critically acclaimed rock band Oingo Boingo, whose high-energy performances and genre-bending sound garnered them a fanatically devoted cult following in the 1980s and ’90s. Among the group’s early fans was fledgling director Tim Burton and Paul Reubens (aka Pee-wee Herman), who enlisted Elfman to score their first feature film, Pee-wee’s Big Adventure. The collaboration would prove to be the start of a long and fruitful partnership for Elfman and Burton, with Elfman going on to score a string of iconic Burton features like Batman, Beetlejuice, Big Fish, Edward Scissorhands, and The Nightmare Before Christmas. To date, Elfman has scored more than 100 films.
Vinyl: $124.98 Buy
Chaos in Bloom, arriving August 12th, 2022 via Warner Records. Marking the first album of their career to be produced by frontman John Rzeznik, the record finds the band at the top of their game and continuing to constantly evolve just as they have for nearly four decades together. Consisting of 10 tracks, Chaos in Bloom is an album of biting sarcasm, stadium-ready choruses, and the type of spear-sharp songwriting that’s led them to becoming one of the most influential alternative rock groups of all time.
While Chaos in Bloom isn’t necessarily an album borne out by the pandemic, many of the tracks reflect on all of the things in daily life that became amplified while everyone was isolated from one another and sequestered at home. “Chaos in Bloom reminded us how special this whole thing is and to cherish the relationships that we have together,” says Rzeznik about the album. “Where we’ve been, and where we’re going.” Oscillating from personal reflections on the state of the world to societal commentaries, the songs on the album grapple with observations about our dystopian modernity while searching for optimism and pushing for a more empathetic world. “I’ve been trying to have a relationship with the bigger picture,” adds bassist and songwriter Robby Takac, “and refining happiness and what it means from that perspective.”
To record the album, Rzeznik and Takac retreated to Dreamland Studios just outside Woodstock, New York during the pandemic. An environment as remote as it is rich with historic rock music roots, the location proved to be the perfect setting for clearing the noise and creating such a record, which carries a true live quality that the band captured by blending vintage instruments and gear with new-age recording processes and techniques.
Vinyl: $21.98 Buy
The eponymous solo albums written, performed, and produced by Paul McCartney from 1970, 1980, and 2020. Includes 3 LPs on 180-gram audiophile vinyl with 3 limited edition photo prints and an introduction from Paul housed in a beautiful slipcase box.
Neil Young + Promise Of The Real announce a new live album, Noise & Flowers, that captures the group in all their glory on their 2019 European tour. The release will be accompanied by a similarly titled concert film that’s included in the album’s 2xLP+CD Deluxe Edition.
Noise & Flowers documents a 9-date tour that began just two weeks after Young’s lifetime friend and manager of more than 50 years, Elliot Roberts, passed away at age 76. Performing alongside a photograph of Roberts taped to his road case, Young approached each show as a celebratory memorial service to honor his late friend. It’s a trek the legendary singer/songwriter describes as “wondrous.”
“Playing in his memory [made it] one of the most special tours ever,” Young says in the album’s liner notes. “We hit the road and took his great spirit with us into every song. This music belongs to no one. It’s in the air. Every note was played for music’s great friend, Elliot.” In paying tribute to the manager who guided Young’s career for over a half-century, Noise & Flowers explores all corners of his vast discography.
It balances all-timer anthems (“Mr. Soul,” “Helpless,” “Rockin’ in the Free World”) with rarely aired ‘70s deep cuts (“Field of Opportunity,” “On the Beach”) and ’90s gems (“From Hank to Hendrix,” “Throw Your Hatred Down”). His frequent backing band since 2015, Promise of the Real effectively bridges the extremes in Young’s sound, infusing his raging rockers and country serenades with their casual brilliance and telepathic intuition.
Vinyl: $24.94 Buy
After three studio albums and over a decade deep into the music game, THE INTERRUPTERS deliver their new album, In The Wild. This 14-track opus is the real deal; it’s a story of survival, a story of resilience, by a band being bold and rejecting the easy impulses of simply repeating what’s worked before. Together during lockdown, Aimee Interrupter, partner and guitarist Kevin Bivona, and his younger twin brothers, Jesse (drums) and Justin (bass), decided to put idle hands to work. After building a home studio in their garage together, Kevin stepped up and took charge of production duties to become “the accountable one” this time around. The record took shape in an unforced and organic fashion, and the recording process was evidently a fun one, which is reflected in the sound of the album, gliding across a spectrum of breathless punk rock, doo-wop, gospel, dancehall, and the band’s customary nods to the lineage of two-tone. It’s further evidenced in the uplifting spirit and the glittering rollcall of guests (Tim Armstrong, Rhoda Dakar, Hepcat, The Skints) involved too. Thanks to the cocoon of the intimate environment they’d built and relaxed working practices, the results made for the most personal Interrupters album to date, as well as being the one all four feel most connected to.
The follow-up to their 2018 breakthrough album, Fight The Good Fight, which spawned multiple singles including “She’s Kerosene”, with over 50 Million streams to date. This smash-hit sent the band to the top of the radio charts and across the globe, playing live with everyone from Dropkick Murphys to Green Day. It was Spring 2020 as they were headed out on an 8-week Hella Mega stadium tour in support of Green Day, Weezer, and Fall Out Boy, when like the rest of the world, the band’s plans went kaput. The forced time at home gave them a period of much-needed rest, followed by an injection of creative energy that led the band to write over 80 songs, curate a live album and documentary film about their lives and their first trip to Japan. THE INTERRUPTERS will be back on the road starting this Spring, co- heading with Flogging Molly and touring through the remainder of 2022 and beyond.
Vinyl: $23.98 Buy
GRAMMY® Award- nominated artist/producer/songwriter Maggie Rogers new album, Surrender, will be released via Capitol Records on July 29. Co-produced Kid Harpoon (Florence + the Machine, Harry Styles) and Rogers, Surrender is the follow-up to Heard It in a Past Life,Rogers’ massively beloved 2019 debut album, which entered Billboard’s Top Album Sales chart at No. 1 and debuted at No. 2 on the Billboard 200. Praised by the likes of NPR, The New York Times, Rolling Stone, Pitchfork, TIME Magazine, and many others, Heard It in a Past Life landed Rogers a nomination for Best New Artist and went on to amass over one billion combined global streams.
Now, after spending 21 days isolated at the 2,300-acre Sonic Ranch studio deep in the heart of their native Texas, just miles from the U.S./Mexico border, the Gold-certified renegades have doubled down on what they do best: sharing honest truths with no-holds-barred instrumentation, letting the self-produced music speak for itself. Yet with Tornillo, named for the border town that is home to the pecan orchard-filled recording complex and set for release on July 29 via their own Wiggy Thump Records with distribution by Thirty Tigers, the six-piece band has taken their solid decade-plus foundation and pushed themself to further explore new sonic landscapes.
“It’s going to have a little bit different sound,” lead singer Cody Cannon shared recently with Outsider. “It’s still Whiskey Myers at its core, but it’s kind of fresh… We did a lot of bass and horns on this one, which is something we’ve always wanted to do. Just being fans of all that old music and Motown stuff, and a lot of the stuff coming out of Muscle Shoals, old rock and roll.
“We’re going to bend [genre] even more, I think, with this new record,” he continued. “It’s all over the place. But that’s fun, right? I hate the whole ‘Put it in a box. You gotta be this.’ … That’s not art to me. I love the idea of just doing, really, whatever you feel. It comes out a certain way because that’s just how it comes out. Whiskey Myers never really tried to be a certain way. It’s just how we are. So I think that’s really the whole thing about music, or the beauty about music; it’s just that freedom to create.”
Tornillo as a whole does exactly that, drawing as much inspiration from Nirvana as from Waylon Jennings – even adding the legendary McCrary Sisters’ gospel influence to the project on background vocals. With Cannon leading the way on songwriting, the album also features writes from lead guitarist John Jeffers and fellow bandmembers Jamey Gleaves and Tony Kent, as well as rising singer/songwriter Aaron Raitiere (Anderson East, Oak Ridge Boys, A Star is Born).
Fans will have the chance to hear the new music live on the 40-date Tornillo Tour, launching April 29 in Worcester, Mass. and running through August. Tickets to all headlining dates are on sale to the general public Thursday, Feb, 23 at 10 a.m. local time via WhiskeyMyers.com.
Boxset including 3 different album covers, 1 folded lyrics poster, 1 folded group poster, 1 photobook, 1 sticker set, 1 ID card (1 of 8 randomly packed inside), 1 member photocard (1 of 16 randomly packed inside), 1 additional member photocard - U.S. exclusive (1 of 8 randomly packed inside). Global sensation ATEEZ is back to begin a new journey with the first album in a new series, [THE WORLD EP.1 : MOVEMENT]. Praised for high-octane performances and bold musical stylings, ATEEZ sold 1.86 million albums in 2021 to firmly plant their name on the charts. ATEEZ also went on their first arena world tour "THE FELLOWSHIP : BEGINNING OF THE END" in 2022, meeting 150,000 fans from their kick off in Seoul, followed by five American cities and finishing with dates in five European countries. ATEEZ made history by being the first K-pop act to start a European arena tour after the pandemic. Having just wrapped up their search for precious [TREASURE], and a feverish journey in [ZERO : FEVER], ATEEZ unveils a powerful new concept in their next release [THE WORLD EP.1 : MOVEMENT] calling for change in our conformist reality.
Being in a band is like being in a marriage: sometimes it’s magical, sometimes it’s unbearably challenging. To reinvigorate that marriage, Deap Vally have made their third album a genre-bending experiment with new collaborators and instrumentation that push the limits of what has previously defined the duo - Marriage is their musical Rumspringa, if you will. The album sees Julie and Lindsey break free of the rigid creative constraints within which they previously existed (two members, two instruments, two voices) and invite in collaborators such as KT Tunstall, Peaches, Jennie Vee and jennylee, as well as a range of producers including Allen Salmon, Josiah Mazzaschi and Harvey Mason Jr.
Entering Heaven Alive is the fifth studio album from Jack White, founding member of The White Stripes, The Raconteurs, and The Dead Weather. True to his DIY roots, this record was recorded at White's Third Man Studio throughout 2021, mastered by Third Man Mastering, and released by Third Man Records.
The Kooks sixth studio album, 10 Tracks To Echo in the Dark is a fresh sounding, electronic-tinged evolution of their iconic sound.
Vinyl: $32.53 Buy
ODESZA return after four years with their new album "The Last Goodbye" available on crystal clear LP, indie exclusive version crystal clear LP with limited edition print, standard CD, deluxe CD with a patch and stickers, and transparent green cassette. Symphonic, vast, and emotionally stirring, 'The Last Goodbye' is set to be the GRAMMY-nominated duo's most ambitious album to date. A project rife with brightness and emotion, nostalgic yet rooted in the present, it serves as a sweeping sonic experience that speaks to themes of connection, reminiscence and the impact we impart on one another. It's a vivid celebration of the people and moments that have left fingerprints on our existence, echoing throughout the record. "The Last Goodbye" features collaborations with Låpsley, Ólafur Arnalds, Julianna Barwick, The Knocks, Bettye LaVette, Izzy Bizu, MARO, and Charlie Houston. With over 5 billion total streams, ODESZA have masterfully reemerged to remind the world what has made the duo of Harrison Mills and Clayton Knight cornerstones of the modern electronic landscape. Their last album 'A Moment Apart' was not only a commercial success (going gold and debuting at no. 3 on the Billboard 200), but it also earned critical acclaim including two GRAMMY nominations and praise from the likes of NPR, Rolling Stone, Billboard, Complex, Consequence and more. The duo has cultivated a diehard fanbase of massive proportions: known for their groundbreaking, awe-inspiring and immersive live performance, that reached 2.85m+ fans over the course of their 'A Moment Apart' tour. They also have had headline performances at the likes of Coachella, Lollapalooza, Bumbershoot & more, as well as performed on Jimmy Kimmel Live! and Conan, and launched their own music festival SUNDARA in Riviera Maya, Mexico in 2019.
Bob Marley with the Chineke! Orchestra reimagines some of Bob Marley’s most recognized and listened to songs with contemporary classical orchestration. The Chineke! Orchestra provides opportunities to a diverse range of up-and-coming and internationally respected classical musicians.
A product of generations of underground music in L.A. and beyond, The Linda Lindas’ debut, Growing Up, channels classic punk, post punk, power pop, new wave, and other surprises into timelessly catchy and cool songs sung by all four members—each with her own style and energy. A handful of cuts have already been previewed at shows and enthusiastically approved by diehard followers in the pit at L.A.’s DIY punk institution The Smell and Head in the Cloud festival goers at The Rose Bowl alike. The Linda Lindas are stoked to unleash Growing Up.
The Linda Lindas first played together as members of a pickup new wave cover band of kids assembled by Kristin Kontrol (Dum Dum Girls) for Girlschool LA in 2018 and then formed their own garage punk group just for fun. Sisters Mila de la Garza (drummer, now 11) and Lucia de la Garza (guitar, 14), cousin Eloise Wong (bass, 13), and family friend Bela Salazar (guitar, 17) developed their chops as regulars at all-ages matinees in Chinatown, where they played with original L.A. punks like The Dils, Phranc, and Alley Cats; went on to open for riot grrrl legends Bikini Kill and architect Alice Bag as well as DIY heavyweights Best Coast and Bleached; and were eventually featured in Amy Poehler’s movie Moxie.
When the pandemic put a pause on shows, The Linda Lindas went on to self-release a four-song EP, make their own videos and grow a following beyond Los Angeles. But they never expected or could have even dreamed that their performance of “Racist, Sexist Boy” for the Los Angeles Public Library in May 2021 would take them from punk shows to TV shows.
A month later, when the school year ended and summer began, The Linda Lindas got to work on their first full-length LP. Having written a mountain of new material individually while sheltering in place and attending class virtually, the band was more than ready to enter the studio where Mila and Lucia’s dad (and Eloise’s uncle and Bela’s “uncle”) Carlos de la Garza oversaw recording and production. The Grammy-winning producer’s work includes Paramore, Bad Religion, Best Coast, and Bleached.
CD: $13.99 Buy
“Lovage” is defined as “an herb that is said to be a benefit for relieving abdominal pains due to gastrointestinal gas…also touted to reduce flatulence when consumed as a tea.” But when placed in the able hands of sonic mastermind Dan “The Automator” Nakamura, recording under the guise of musical lothario Nathaniel Merriweather, the result is a concept album of “music to make love to your old lady by.” With the help of collaborators such as Mike Patton (vocals), Jennifer Charles (vocals) and Kid Koala (turntables), Merriweather serves as your personal guide to the sensual side of life, painting a satirical, darkly funny portrait of love and sex with left-field hip-hop and instrumentals as only he can do.
A 7-song unreleased album from Neil Young and Crazy Horse, recorded at Toast studio in San Francisco in late 2000 and early 2001. It was shelved at the time and Are You Passionate was the next album Neil released. Different versions of 4 songs appeared on Are You Passionate, but the other 3 songs are completely unreleased (“Timberline”, “Gateway of Love” and “Standing In The Light). This is one of the legendary “lost” albums in Neil’s catalog.
MP3 Album: $8.99 Download
Even real places become imaginary when they are so far out of reach. Named for an idyllic island near Ibiza off the coast of Spain, Formentera is a place that, for Metric, only existed on a page in a “dream destinations” travel book that lay open on a desk in the new recording studio that guitarist Jimmy Shaw built in 2020, in a rural hamlet north of Toronto. This is the setting where the band’s eighth album took shape. Shaw brought on Synthetica collaborator Liam O’Neil as well as longtime friend Gus van Go (The Stills) to co-engineer and co-produce with him. When the border opened, Metric bassist Joshua Winstead and drummer Joules Scott Key came in from the U.S to record, adding live energy and sonic depth to complete the Metric sound.
The result is a conceptual arc that progresses from tension and turmoil to dance-floor abandon, beginning with the edgy ten-minute album opener “Doomscroller,” and progressing through a color wheel of emotions, from determined perseverance on “What Feels Like Eternity” to self-emancipation in full orchestral bloom on the title track as Haines poses the question, “Why not just let go?” There’s a sense of resolution in the very matter-of-fact, deceptively catchy “False Dichotomy,” and the album ends on a melancholy high with “Paths in the Sky,” a love song to lifelong friendship, a thematic companion track to “All Comes Crashing,” an end-of-days banger and the first single.
“This is what we’re all thinking about,” Haines says. “So let’s address it, let’s have this whole expansive emotional experience that can feel collective instead of all going through it alone.”
The Deslondes are a five-piece band from New Orleans. The band splits up songwriting and lead vocal duties among its five members, continuing its democratic ethos and musical versatility. Multiple members have released solo recordings between their sophomore release, Hurry Home (2016) and their latest release Ways & Means but throughout the time between albums the Deslondes continued to build on their inventive take on New Orleans country and R&B. Ways & Means finds the band leaning on the country-folk of their debut along with the sometimes-psychedelic, electrified gospel-soul sound of Hurry Home. The sound will continue to draw comparisons to the country-funkiness of The Band, Link Wray and others but Ways & Means is the sound of a band that understands the history of American music, while embracing their own contemporary approach.
The original soundtrack to Minions: The Rise of Gru promises another exciting installment in the Minions franchise. Produced by Jack Antonoff and filled to the brim with a star-studded list of artists, you can expect a very funky listening experience. Indie Exclusive Gru Blue 2 LP.
Sometimes, Forever, the immersive and compulsively replayable new Soccer Mommy full-length, cements Sophie Allison’s status as one of the most gifted songwriters making rock music right now. The album finds Sophie broadening the borders of her aesthetic without abandoning the unsparing lyricism and addictive melodies that made earlier songs so easy to obsess over. To support her vision Sophie enlisted producer Daniel Lopatin, whose recent credits include the Uncut Gems movie score and The Weeknd’s Dawn FM.
Meet The Moonlight, Johnson's eighth studio LP and first full-length release in five years, was produced by Blake Mills (Alabama Shakes, Perfume Genius, Jim James) and recorded in Los Angeles and Hawaii. The creation process marks a major artistic milestone from past work, taking shape from a one-on-one collaboration with Mills and unveiled an intimate and highly experimental process that involved embedding Johnson's elegantly stripped-back arrangements with enchanting sonic details.
Conan Gray has emerged as one of the pre-eminent pop superstars of his generation. After the commercial success of the global multi-platinum hits, “Heather” and “Maniac,” his music maintains its unflinching authenticity and originality. Gray’s debut album, Kid Krow, reached #5 on the Billboard 200, #1 on the Billboard Pop Albums chart, and was the biggest new artist debut of the year. Gray’s much anticipated sophomore album, SUPERACHE, is set for release on June 24, 2022.
'Heart Under', Just Mustard's second album, asks you to forget what you know. At every turn, this remarkable record reconfigures and stretches the ideas and ambition of a rock band, and turns a year of lockdown and personal struggles into a breathtaking artistic statement. The music the five friends from Dundalk, Ireland make is strikingly untraditional. Though to look at them, it appears that the band are a five-piece with uniform make-up of a vocalist, two guitarists, a bassist and a drummer, not a single one of them utilizes their instrument in a confined or regular fashion. Guitarists David Noonan and Mete Kalyoncuoglu make their six-strings shriek and wail, the sounds produced sounding like everything from whirring machinery to horror movie monsters. Behind them, drummer Shane Maguire uses the rim of his drums almost as much as the skins, providing a clattering, metallic backbeat. Most of the melodies on offer poke through from Rob Clarke's inventive, nodding bass lines. Then there's Katie on vocals; she's the transfixing focal point of the band. Across its 10 tracks, the album presents a coherent style and ethos ' those scything guitars, Katie's magical vocals ' but still incorporates a wide and untethered vision. There are brooding, atmospheric rock songs and others that apply a lighter, dreamier touch, all tied together with impeccable instrumentation and a united vision. 'Heart Under' serves as the next stage of this development, with every instrument brilliantly pushed to its limit and every boundary of the band stretched.
Jasmyn is the new solo project created by Jasmyn Burke, former singer-song- writer and frontwoman of the critically acclaimed Canadian band, Weaves. Having two JUNO nominations for Alternative Album of the Year and two SOCAN Songwriting Prize nominations, Burke has established herself as one of Canada’s most exciting and fresh voices.
With this new project, she has decided to use her own name, Jasmyn, to mark the start of exploring her own unique sound as a solo artist. Collaborating remotely with Los Angeles-based producer John Congleton (St. Vincent, Angel Olsen, Sharon Van Etten) on a body of work she had compiled over months of being in lockdown. Finally in the Spring of 2021, Jasmyn went to LA to record with Congleton, exploring themes of finding patterns in life and how to perhaps change them.
On the general direction of her new album In the Wild, Jasmyn said, “This was written during the Fall of 2020; The world was feeling pretty heavy, and I felt myself wanting to write music that created a mood of happiness and space to grow. I feel like I have grown and changed as a person over the last few years and wanted to write songs that created a sense of confidence and well-being.”
With Weaves receiving worldwide support from the likes of Rolling Stone Magazine, NPR, Pitchfork, and more, Jasmyn is excited to share a new side of herself, perhaps her most honest and raw work to date.
"El Alimento (translation: the nutrient) is the monumental second album from Cimafunk, the Cuban medical-student-turned-Latin-funk-star who crash-landed onto the music scene with his debut album Terapia in 2017 and an electric live show that been compared to that of James Brown. The sonically dynamic collection masterfully blends Afro-Cuban sounds and rhythms with global funk, hip hop and soul—resulting in a progressive, head-bopping celebration of black music’s power to eclipse borders and cross-pollinate across cultures. Written and recorded over the last year, the album served as an alimento for the soul, a motivation to persevere through the pandemic, as Cimafunk spent countless hours studying decades of musical influences to help understand who he is musically and culturally, and thus, where he wanted this album to take him.
As innovative funk forefather George Clinton (Parliament-Funkadelic), who sings alongside Cimafunk on the opening track "Funk Aspirin," says: “Cimafunk takes it back there while keeping it in the now. It’s what we do, always reinventing the Funk to keep it fresh.”
The 13-track album was co-produced by Cimafunk and Grammy Award-winning producer Jack Splash (Kendrick Lamar, Alicia Keys, John Legend, Goodie Mob, Valerie June, Tank & the Bangas). El Alimento also includes collaborations with US hip hop stars Lupe Fiasco and CeeLo Green; Jamaican dancehall singer Stylo G and Afro-Colombian hip hop group ChocQuibTown; as well as Cuban musicians Chucho Valdes, an AfroCuban jazz icon and '70s funk pioneer, Los Papines, a Cuban Rumba group whose career spans six decades, and AfroCuban rapper and Reggaetonero El Micha."
Vinyl: $179.98 Buy
Originally released in 2003 with 30 tracks, UMe has updated the classic Sounds Of Summer compilation by The Beach Boys. The Expanded Edition 6 LP set features 80 key tracks from their storied career (all newly remastered) with 24 new stereo mixes, including two first-time stereo mixes. Limited pressing on 180-gram vinyl with updated photos and liner notes.
In April of 2021, 13 months into quarantine, Rick Springfield and his band performed his most iconic album, “Working Class Dog,” from start to finish live at Rick’s home in Malibu in celebration of its 40th Anniversary. The resulting work is a renewed interpretation of a classic. The DVD features behind-the-scenes footage, all the joyful live performances, plus 4 bonus Rick Springfield hits: “Love Somebody,” “Don't Talk to Strangers,” “State of the Heart,” and “Affair of the Heart.”
Vinyl: $24.94 Buy
40 oz. to Fresno is the highly anticipated 6th studio album by Joyce Manor. Produced by Rob Schnapf, this 9 song album is an honest, hard-hitting, post-emo, power pop masterpiece packed with the elevated writing and earnest delivery Joyce Manor is loved for.
Joyce Manor has toured extensively and their live show has been the driver behind the band’s success. They have made festival appearances at FYF Fest, Coachella, Riot Fest and since the release of their last studio album in 2018, the band has headlined NYC Central Park SummerStage, sold out two nights at the Palladium in LA, and sold out two matinee show at LA’s historic Union Station.
Joyce Manor is a band from Torrance, CA consisting of Barry Johnson (vocals/guitar), Chase Knobbe (guitar), Matt Ebert (bass), Neil Hennessy (new drummer, from The Lawrence Arms). Johnson and Knobbe started the band in 2008 in the Disneyland parking lot, named after an apartment complex that Johnson would walk past every day. Joyce Manor made their debut as an acoustic two-piece. Quickly they learned that playing loud was much more fun and invited friends to join the lineup. The band has released five studio albums; Joyce Manor (2011), Of All Things I Will Soon Grow Tired (2012), Never Hungover Again (2014), Cody (2016), and Million Dollars to Kill Me (2018).
Vinyl: $197.98 Buy
Madman Across the Water, released in 1971, is the 4th studio album by Elton John. The 4 LP box set includes a 40-page booklet with introductions by Elton and Bernie, photos and a full essay featuring interviews with many who helped make the album, a reproduced 1971 poster, plus memorabilia and artwork from the Rocket Archive. LP 1: Remastered version of the album. LP 2 & 3: Piano demo version of the album + live and alternate versions. LP 4: BBC Sounds for Saturday concert, first aired in 1972.
Carrie Underwood - Denim & Rhinestones
Carrie Underwood will be releasing a brand new studio country album on June 10th called Denim & Rhinestones. The album includes 12 tracks including her latest hit single- "Ghost Story". Carrie is a true multi-format, multi-media superstar, spanning achievements in music, television, film, and as a New York Times bestselling author and successful entrepreneur. She has sold more than 66 million records worldwide, recorded 28 #1 singles (14 of which she co-wrote), and has seven albums that are certified Platinum or Multi-Platinum by the RIAA, all while continuing to sell out arena tours across North America and the UK.
Read Southall is talking about the first single (“Where We Belong”) from his namesake band’s new album, For the Birds. But he’s also talking about the idea that it took a few years, a very isolating 2020 and some needed shifts in musical direction to get to a place where new music — let alone the group’s crowning achievement — could even exist.
“I don’t think we would be a band without this album,” says Southall, calling from his home in a small town outside Oklahoma City, Oklahoma. “I think for a while we were just focused on touring, getting out there and we didn’t take care of the music as needed. In a way, we needed that year off the road. We made an album and just worked. We refocused and decided this is what we want to be doing.”
While impossible to pinpoint, the music on For the Birds could be called, well, timeless. It’s rock’n’roll, and it doesn’t easily fall into labels like country, Southern rock or classic rock. It’s ambitious to a degree that’s rare for a guitar-driven band in 2021 — witness the aforementioned first single “Where We Belong,” an epic number that clocks in at a whopping six-plus minutes.
You’re not going to find many albums that evoke both the likes of Waylon Jennings (“Here We Are”) or early grunge (“Out of My Mind,” which would sound just fine sandwiched between Temple of the Dog and an early Smashing Pumpkins record). From classic to contemporary rock, these are songs that could appeal to the disparate fanbases of Gary Stewart, Joe Walsh, Rival Sons or Chris Cornell.